薄薄的一片塵土舖滿地下，一些垃圾零星分佈，城市後巷的既視感。舞者穿著運動風褸、牛仔衫褲、背心，在節奏快而強勁的電子音樂下，以慢動作影片似的姿態逐一出現；跳舞、喝酒、擁抱、狂歡，呈現的整個畫面既熟悉又陌生，在我眼中，這就是我經歷過 Rave party（銳舞派對）的模樣

有視野的藝術節，可以讓文化消費延展為學習，打開視界。今年4月14日至5月7日西九第一次舉辦舞蹈節「自由舞2023」，聚焦女編舞家作品，讓人邂逅美麗，同時深思社會議題

西九自由空間的「自由舞2023」舞蹈節，印象中是疫情以來首個帶來了多個海外藝團作現場演出的舞蹈節，希望從此真的回復與世界接軌。由於籌劃時期仍然實施防疫措施，因此這次舞蹈節的節目以精簡為主，主要是雙人舞或獨舞。當中看了來自德國的《女俠傳奇》、比利時的《沒有最壞》及以色列的《異想客廳》，各有特色，頗有驚喜

本文嘗試以2023年西九文化區首辦的「自由舞」舞蹈節為例，探究在編排國際節目與策展當代舞蹈之難，也思索如何按著本土經驗繼續摸石過河而前行

People say that there are two colours in life: red before mid-life, when one frequently receives wedding invitations from old classmates and good friends; and white after mid-life, as one begins to farewell peers or the older generation at funerals

I went great lengths to see Mui Cheuk-yin’s work, Double Happiness: The Promise of Red (“Double Happiness” as follows) as part of the “Freespace Dance 2023" programme, because I think every chance to see Mui’s performance nowadays is a rare one, especially it is the kind of solo dance that integrates with life experience

Early this year, students at the School of Theatre and Entertainment Arts (TEA) of the Hong Kong Academy for Performing Arts were invited to participate in a series of transmedia workshops

In September 2021, Freespace and the School of Theatre and Entertainment Arts at the Hong Kong Academy for Performing Arts launched the new project art TALKS tech as part of their collaborative platform TechBox